Showing posts with label printmaking. Show all posts
Showing posts with label printmaking. Show all posts

Wednesday, February 10, 2010

God Save Queen Blob!

1/4 'Queen Blob' Silkscreen print on paper

This is an image I designed for a short run of t-shirts. It's a four-color screenprinted design and I'm very excited at the prospect of people actually wearing my art in their daily lives. The shirts will be featured at the imaginatively titled Shirt Show in the RISD ISB Gallery, where they'll be for sale along with dozens of other unique printed works by RISD artists. The event will be held tomorrow from 6 to 9 and will include a performance by Single Lash . Hope to see you there.

Sunday, January 24, 2010

A Story You Tell Yourself

Kitchen Study.
My Fat Head.


New copper drypoints from the experimental printmaking class I'm taking this semester. They're not too experimental, actually, but I like them. Just straight, strong armed etching into a metal plate- feels more like keying a car than drawing.


Wednesday, January 6, 2010

Work Selected for Society of Illustrators West 48!


Exciting news. Some time forever ago, I entered work in the annual SILA competition and eventually forgot all about it. Cue a pleasant surprise yesterday when a message in my inbox informs me that my print Edward Gorey Eating a Sandwich has been selected! It wasn't my favorite of the series, but it was the most radically improved; I actually just reworked it on top of the original transparency. Guess the lesson here is don't give up on your ugly babies, because with just a little spitshine you can turn that ugly duckling into a prize-winning hog- as the saying goes.

Friday, June 26, 2009

Speaking of...


Come check out my show next week. I'll have paintings, prints and drawing for sale and will be performing music as Single Lash. I'm excited!

Monday, May 18, 2009

AS220 Poster


Here's a poster I printed up for my show later this month. Like my music itself lately, it's really just an excuse to get a little crazy. All I have left of my junior year are some final portfolio reviews and cleaning out my studio. The latter is actually a bit daunting, though. 

Tuesday, April 7, 2009

Heroes 6- Kevin Shields


I'm ending my Heroes series with a two-color print of the mastermind of one of my absolute favorite bands- My Bloody Valentine. I'm happy with the way this one turned out, but honestly, I am glad to be completing this series; the "hero worship" was starting to leave a bad taste in my mouth. Speaking of, I've relegated my plate-and-sandwich symbol to the bottom right corner in an acknowledgment of the increasingly peripheral role it has been taking in the progressing images. In the second image you can see the terrible secret that I've digitally rectified above- yes, with my sixth and final image I have finally gotten the lettering backwards! Oh well, I guess it had to happen eventually. I've enjoyed the experience of printing in color, so you can expect things to brighten up around here at least a little bit in the near future. Watch this space!

Heroes 5- Uncle Ernie

   Over the course of this "Heroes" project, I've really been pushed hard to consider what the idea of a "hero" really means. Sure, people like David Bowie and Edward Gorey have/had a huge dose of talent, but is that really the prime criteria for herodom? I will always have an inherent respect for people who are good at what they do, and being an artist myself, I'm definitely skewed in my attentions to people of a creative persuasion. Note the series' lack of presidents or generals. But like the first entry in my Mt. Rushmore of sandwich-eaters, my father, this next figure is someone that I know personally and have always admired for their innate goodness and generous spirit. My uncle Ernie is an unselfish and truly spiritual man- a priest for the past 50 years. My difficulty with this print is manyfold: it does appear somehow perverse to juxtapose a sandwich with a priest giving a man the last rites and grieving women. A sandwich is something with connotations of frivolity. What message are we meant to glean from this pairing of a man of the cloth and a turkey sandwich? This odd couple then meets head-on with the current public prejudice against priests, thus predisposing my audience to interpret the image in an untoward fashion. In my personal admiration of my uncle, I fear I did not take the necessary steps in the composition to counteract these forces and am left with with what may be a weirdly inappropriate print. I include it here, however, so that you may judge for yourself.



Wednesday, March 18, 2009

Heroes 3 and 4- The Two Edwards


I'm starting to think of these pieces less in terms of caricature/portraiture and more as self-contained designs, where no element is subservient to the human element. This shift is largely due to a disastrously ill-conceived first draft of Edward Gorey. Ed Wood, whom I depicted a few days later is admittedly a bit of a mess compositionally, but I'm pleased with my more liberating, experimental conception of his piece. And honestly, how else can one portray his mad genius without being a bit chaotic?

                           

Wednesday, March 11, 2009

Au Lecteur

To the Reader

Foolishness, error, sin, niggardliness, 
Occupy our minds and work on our bodies, 
And we feed our mild remorse, 
As beggars nourish their vermin.

Our sins are insistent, our repentings are limp;
We pay ourselves richly for our admissions,
And we gaily go once more on the filthy path
Believing that by cheap fears we shall wash away all our sins.

On the pillow of evil it is Satan Trismegistus
Who soothes a long while our bewitched mind,
And the rich metal of our determination
Is made vapor by that learned chemist.

It is the Devil who holds the reins which make us go!
In repulsive objects we find something charming;
Each day we take one more step towards Hell — 
Without being horrified — across darknesses that stink.

Like a beggarly sensualist who kisses and eats
The martyred breast of an ancient strumpet, 
We steal where we may a furtive pleasure 
Which we handle forcefully like an old orange.

Tight, swarming, like a million worms,
A population of Demons carries on in our brains,
And, when we breathe, Death into our lungs
Goes down, an invisible river, with thick complaints.

If rape, poison, the dagger, arson,
Have not as yet embroidered with their pleasing designs
The recurrent canvas of our pitiable destinies,
It is that our spirit, alas, is not brave enough.

But among the jackals, the panthers, the bitch-hounds, 
The apes, the scorpions, the vultures, the serpents, 
The monsters screeching, howling, grumbling, creeping,
In the infamous menagerie of our vices,

There is one uglier, wickeder, more shameless!
Although he makes no large gestures nor loud cries
He willingly would make rubbish of the earth
And with a yawn swallow the world;

He is Ennui! — His eye filled with an unwished-for tear,
He dreams of scaffolds while puffing at his hookah.
You know him, reader, this exquisite monster,
— Hypocrite reader, — my likeness, — my brother!

                          -Baudelaire (Translated by Eli Siegal)

Wednesday, March 4, 2009

Heroes 2- David Bowie

This is the second in my "Heroes" series. Here we have David Bowie as he appeared on the cover of his album "Heroes". I thought long and hard about what sort of sandwich his Bowiness would prefer and ultimately arrived at something simple and quintessentially English- the cheese sandwich. However, this humble staple needed just a touch more refinement and so I arrived at the toasted brie sandwich. 

Tuesday, February 24, 2009

Heroes 1



I've just started taking a printmaking class and already I'm finding it quite enjoyable. The concept of multiples opens up a whole new world to me. I really relish the subtle differences between prints caused by simple printing mistakes.

I'm working on a series of prints called "Heroes" in which I depict people whom I admire eating hero sandwiches. The first of the group depicts my dad eating his favorite sandwich.